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Montgomery, Roy & Moss, Jessica: Last Year's Man / After Vermeer - VINYL LPTitle: Last Year's Man After Vermeer Artist: Montgomery, Roy & Moss, Jessica Label: Okraina Product Type: VINYL LP UPC: 769791972308 Genre: Rock Release Date: 2019 03 01 Number of Discs: 1 Additional Details: 10 INCH VINYL Roy Montgomery on the release: "My first deep exposure to Leonard Cohen was the Bird on a Wire documentary by Tony Palmer (1974), which was, against the odds, broadcast on public television in New Zealand around 1974 or 1975. At age
Title: Last Year's Man / After VermeerArtist: Montgomery, Roy & Moss, Jessica
Label: Okraina
Product Type: VINYL LP
UPC: 769791972308
Genre: Rock
Release Date: 2019-03-01
Number of Discs: 1
Additional Details: 10-INCH VINYL
Roy Montgomery on the release: "My first deep exposure to Leonard Cohen was the Bird on a Wire documentary by Tony Palmer (1974), which was, against the odds, broadcast on public television in New Zealand around 1974 or 1975. At age 15 or 16 I thought it was too dark. A few years later, in the late '70s, I wanted things darker. The first Cohen LP was very clever but a little too 'up'. The second was too public and political for me. Songs of Love and Hate (1971) seemed more honest, more about personal failure. I liked it, although Cohen tended to disown it, especially 'Dress Rehearsal Rag' and 'Last Year's Man', neither of which he performed live later on. I like 'Last Year's Man' for the same reason I like Nick Drake's 'Poor Boy'. It wallows and parodies at the same time. I came across the Suzuki Omnichord OM-27 because it was mentioned in relation to another Canadian, Joni Mitchell. It looked like a mystery box of potentially very good or very bad sounds, like a Bontempi chord organ customized for space travel in a Stanley Kubrick film. Irresistible... I was fortunate to meet Jessica Moss because of the 12-hour drone event at Le Guess Who? Festival in Utrecht in November 2017. I thought it would be cool to jam with some of the other people scheduled to play their own pieces so I asked the organisers, Bob Helleur and Jacob Hagelaars, to sound out the other droners a few weeks before the festival. Jessica replied, I sent a sample piece, and we talked, more than rehearsed, a day before the performance. We did our piece live and then some months later I sent her a recorded piece to which she added her magical playing."Personnel: Roy Montgomery - vocal and keyboard; Jessica Moss - violin; Emma Johnston and Arnie van Bussel - backing vocal on "Last Year's Man". Recorded mainly with a first generation Suzuki Omnichord OM-27 onto a Tascam DP-01FX 8-track Portastudio, January to March 2018. Illustration by Gwénola Carrère, Brussels, October 2018. Mixed by Arnie van Bussel at Nighshift Studios, May 2018; Mastered by Harris Newman, Grey Market Mastering, Montréal, May 2018.
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4.0 ★★★★★
Based on 2349 reviews
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Product Reviews
★★★★★ 5
A must-read - hair-raising, deeply alarming, and shudder-producing
Format: Kindle
What I liked:
- Deeply researched - amazing depth, particularly of a wide range of characters (a few of whom are true heroes) and many more miscreants - Rachel must have had a spectacular research team to work with! She mentions that "there were millions of words written about the rise of (and fight against) fascism as it was happening in pre-World War II America" - but I bet that most Americans haven't been exposed to them.
- Starts off mildly with George Sylvester Viereck (a ridiculous author, but just wait!) but then shifts gears progressively as the story builds and adds in a raft of odious characters
- Not afraid to name names - some of the politicians ultimately come in for some serious whacking (see Sens. Wheeler and Langer especially). Also surprising were the back stories of names I recognize (architect Philip Johnson, for example) without knowing of their nazi sympathies and antisemitism.
- Mr. and Mrs. Lindbergh are waaay more complicated than our stereotypes of the heroic but opaque pilot and his saintly wife (she is one scary piece of work!) - stuff I simply didn't know, and what was presented was alarming to the extent of making skin crawl
- I had never heard of the sedition trials of 1943 and 1944 and prosecutor John Rogge at all before - just one example of new (and stunning) information from our history - absolute bedlam!
- As the history advances and the book nears its end, there are several BIG events that may push you back in your reading chair several times - again, no spoilers, but hoo-eee!
- The epilogue was a treat to read - again, I won't reveal any spoilers
A minor criticism - the book is derived (I believe) from Rachel's podcasts, and thus the writing has her inimitable voice (pointed asides, etc.), but as a result may lack some polish and smoothness in the prose. Some may love it, some may carp, some may not even notice it. Whatever.
If material about this period is of interest to the reader, be certain to seek out "Hitler in Los Angeles" by Steven J. Ross - its focus is a little narrower, dealing with Jewish undercover work to foil Nazi plotting in Los Angeles, but Leon Lewis, a true mensch and hero, is in Maddow's book as well.
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Reviewed in the United States on October 18, 2024
★★★★★ 4
Fascinating details from the past but not really a “prequel”
Format: Hardcover
Rachel Maddow’s “Prequel: An American Fight Against Fascism” recounts the efforts of pro-fascists in the United States, aided and manipulated by Nazi Germany, to keep America from actively opposing Hitler as well as to plot ways to turn America into a fascist country. The struggle to defeat those forces began in the early 1930s led by private citizens who, on their own, went undercover to join fascist groups and try to alert various government agencies about what was happening. A relatively small number of fascists gathered weapons to prepare for an insurrection. In the last chapters of the book, Maddow describes a 1944 trial in which the Justice Department brought sedition charges against some 30 defendants, most of whose activities she covered in previous chapters. The trial was chaotic, interrupted by frequent outbursts from the defendants and their lawyers. When the judge suddenly died one night of heart attack and a mistrial was declared, the Justice Department did not seek a new trial. The war against Hitler was nearing an end, so there was no push to revisit the past to pronounce judgment on those whose activities on the home front ultimately did not affect our victory over the Nazis.
Since the ending is rather anticlimactic, Maddow, at times, may try a little too hard to make things sound more dire than they really were. Although elsewhere she has described Westbrook Pegler as an “extreme” right wing columnist and “pseudo-fascist,” she quotes him at the end of her chapter on Huey Long as averring that, in Louisiana, Long was “gradually copying the Hitler state.” Long was certainly a corrupt, authoritarian politician, but his populist politics had their origins in his upbringing in Winn Parish, where the Socialist Party carried the day in the 1912 election. Had he lived and had he run for president in 1936, he might have drawn enough votes from FDR to give the election to a Republican candidate, but he had no use for Nazism. (I live in Louisiana where, until 1973, we observed Huey’s birthday as a state holiday.)
Maddow seems to imply that there was something nefarious about the death in 1940 of Senator Ernest Lundeen in a passenger airplane crash that occurred during a thunderstorm. Lundeen, who had close ties to a top Nazi spy, may have been under investigation, but nothing indicates that his presence on the flight had anything to do with the crash. The cause was never determined, but, based on the way the plane headed forcibly into the ground, a likely explanation is that it was caught in the kind of thunderstorm microbursts that we now know has caused similar crashes.
Though, for me, the book seems to promise a bit more than it actually delivers, I did learn a lot about the ties of right wing politics to Nazism during that era.
I was aware that Henry Ford was a fanatical antisemite, but, until I read Maddow’s book, I did not know that his efforts extended to publishing a ninety-two part series based on the Protocols of the Elders of Zion that appeared in the Dearborn Independent, a newspaper that he owned, with copies distributed to every Ford dealership. It was published in book form as “The International Jew” and widely circulated in Germany. Hitler praised Ford in “Mein Kampf” and, according to one account, had a portrait of Ford displayed on the wall in his office when he was visited by an American reporter.
I was aware that the Nazis studied segregation in the American South for guidance in drafting their own race laws, but I didn’t know that Nazi Germany dispatched an attorney to the University of Arkansas School of Law to acquire first-hand knowledge.
I was aware that Father Coughlin was a demagogic opponent of FDR, but I was not aware of the ferocity of his antisemitism or his ties to various pro-Nazi fascists.
However, I was really totally unaware of the way actual Nazi agents in league with pro-Nazi Americans were able to get congressmen and senators to distribute Nazi propaganda, typically inserted into the Congressional Record and then sent to millions of Americans for free using the congressional franking privilege. On the other hand, I doubt that propaganda delivered in that manner was very effective. Pages from the Congressional Record could not compete with the message delivered by the 1939 Warner Brothers film “Confessions of a Nazi Spy,” the first anti-Nazi movie produced by Hollywood, based on actual events that Maddow describes.
Nothing pro-fascists did in the United States affected our entry into the war against Germany. We went to war when Hitler himself declared war on us four days after Japan bombed Pearl Harbor. Nazi Germany certainly posed a military threat, but there wasn’t much danger that fascist politics would actually prevail in the United States.
The political situation is very different today and, though I, like Maddow, admire the “smart, brave, determined, resourceful, self-sacrificing [anti-fascist] Americans who went before us,” I think the political challenges we face today are much more dire.
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Reviewed in the United States on December 11, 2023
★★★★★ 5
The History of American fascism
Format: Hardcover
Quality and fierce journalism. Reviving and honoring adherence to a true history and context of American fascism
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Reviewed in the United States on March 15, 2026
★★★★★ 5
Well Researched and a Terrific Read
Format: Kindle
Thank you Rachel! I enjoyed this so much, it was an eye-opener. So much I didn't know.
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Reviewed in the United States on February 12, 2026
★★★★★ 5
5 Star
Format: Hardcover
Rachel is a very fine writer.
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Reviewed in the United States on April 19, 2026
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